A Note of Thanks

Dear Kids and All Readers,

The season when many of us focus more intently on our blessings has arrived.

Years ago, when I was still a classroom teacher and raising a child, I taught my students and my daughter the value of saying thank you, especially for gifts they receive at this time of year and for their birthdays. I tried to impress upon them that whereas texting or emailing Grandma, Auntie, or Mom and Dad a thank-you was better than nothing, the best way, in my opinion, was with a handwritten note that gets mailed or hand delivered. (This was not intended to ensure a continuous flow of gifts year after year–though it might help!)

My daughter became very good at writing thank-yous without being told. Of course, it might have helped that I often gave her a box of thank-you notes as a stocking stuffer.

Many relatives who received these notes from her commented on how special it was for them to receive, the old-fashioned way in her own writing, her gratitude and other feelings when she opened the gift. Some students shared similar reactions from their family members with me. Some relatives said that was the only thanks they had received! This underscored my comments that thank-you notes can be very memorable as well as appreciated.

So get a clue, readers of all ages. Taking a few moments to hand write a thank-you note could double your gratitude in the hearts of some friends and relatives. And that can warm our hearts and make us all more thankful. Happy Thanksgiving to you and your family!

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“Can You Hear Me Now?”

Dear Readers, Classroom Teachers, Reading Specialists, Librarians, Audiophiles, and Others,

I have spent some time this week listening to voices. No, not the ones in my head! Rather, these are voice snippets from ACX, a company that produces audiobooks.

Having listened to over 150 samples, I have narrowed my search down to about seven for a possible narrator/producer for the audiobook version of Nutmeg Street: Egyptian Secrets.

An audiobook can be a wonderful support for struggling readers as well as fun for anyone who wants to listen to the book in the car or wherever. It will probably be about five hours in length.

So get a clue, Readers. Listen up! Get ready to listen to the audiobook version of the exploits of our four favorite detectives. I hope to have it available by late spring of 2020.

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The Beat Goes On . . . Thankfully!

Dear Readers and Other Heartthrobs,
 
As I write this, it’s November 11th, the 25th Anniversary of my successful open-heart surgery! It was a six-hour, critical operation that repaired a too-long-undiagnosed congenital birth abnormality called “atrial septal defect.” You might know this as “a hole in the heart.” Basically, all those years, my heart had no wall (septum) between the atria (the two upper chambers of the heart), so I wasn’t getting enough oxygen. This left my skin tone blue-gray, not rosy, and I always needed a nap after the least exertion. The defect suddenly presented itself in 1994 and almost took me out–as the mother of a then thirteen-year-old.
 
Following the surgery, I spent a year getting fully back on track. Once home from the hospital, it took me a week before I could walk across the room without help. I practiced going a little farther every day before collapsing into a chair until by the end of two months, I was walking over a mile without chest pains, shortness of breath, or total body sweats. Eight months later, I finally learned how to swim in the same pool where I attempted lessons as a child. Yay! I never could learn as a kid because I got too tired and would be ordered out of the pool since I was “wasting” the instructor’s and other students’ time! Wow. True, but still  . . .  wow.  
 
My news isn’t exactly reading-and-writing related this time. . . . But wait! On the other hand, without that surgery, I wouldn’t be here now, and there would be no Botanic Hill Detectives Mysteries. Plus I have a granddaughter I never would have had the pleasure of knowing and watching grow up strong and healthy. Life is beautiful, indeed. 
 
So get a clue, Readers. Here’s to the doctors that keep us healthy and kicking! And here’s to taking good care of our hearts. Be thankful for each full breath you can take. And may the beat go on. 
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My Book is Buzzing!

Dear Kids, Families, Teachers, Librarians, and Other Readers,

This has been an eventful week for Nutmeg Street: Egyptian Secrets and for me.

On Friday, November 1, the Cover Reveal for my book took place. In case you missed it, please check out the image to the right. I hope you like it. I am very pleased with the end result, especially since it took three months of compromising among the publishers, designers, and me. I was reminded at how important–and often, frustrating–teamwork can be.

On Monday, November 4, the Book Blitz got underway. This is where my book cover and information were plastered all over social media via the tour director (thank you, Shannon, at Reads and Reels Book Tours), book bloggers, and me to acquaint people with my book and when it will finally be available for purchase (on Amazon on February 1, 2020–please mark your calendars NOW!). Accompanying the blitz was a Rafflecopter giveaway for two winners, one inside and one outside the U.S., for a free, autographed book, some book swag, and an Amazon gift card.

There is still a daunting amount of work (i.e., labor of love) for me to do behind the scenes between now and February 1 to make this book dream a reality.

So get a clue, Readers. Watch this space for more adventures in the publication of Nutmeg Street: Egyptian Secrets. These activities continue to be challenging and humbling for me, which will make the finished product all the more endearing for this author and, hopefully, a fabulous read for you.

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Beware! Full Moon Rising

Dear Readers and Fans of Lycanthropy,

Last time, I asked the question, “To which character from classic horror films did Maleva, the old ‘Gypsy’ fortuneteller, speak these words: ‘Even a man who is pure in heart and says his prayers by night, may become a ??? when the wolfbane blooms, and the autumn moon is bright’?” If you guessed “The Wolf Man,” you are correct, so get ready to howl!

But first things first. You might be wondering what lycanthropy is. It is defined on Google as, “the supernatural transformation of a person into a wolf as recounted in folk tales. It is also a form of madness involving the delusion of being an animal, usually a wolf, with correspondingly altered behavior.” Clinical lycanthropy does exist! It is a rare psychiatric syndrome where some believe they are changing into a wolf. It has been associated with altered states of mind that accompany psychosis where transforming into a wolf seems to happen only in the affected person’s mind and behavior. It is thought that clinical lycanthropy is caused by an imbalance in the brain. Turning to literature, some literary scholars mark The Epic of Gilgamesh as the debut of the werewolf, as it was called, in Western prose when a person was turned into a wolf. Werewolves can also be found in ancient Greek mythology in the Legend of Lycaon.

Of Universal Pictures’ most successful monster triumvirate from the 1930s and ’40s–Frankenstein, Dracula, and The Wolf Man–only The Wolf Man did not originate from a novel. It came from a screenplay written by Curt Siodmak (1902-2000), a German-American novelist (Donovan’s Brain, Black Friday, et.al.), who was also a screenwriter (Earth vs. the Flying Saucers, I Walked with a Zombie, et.al.) His first name was sometimes spelled “Kurt” in movie credits, a holdover from his days in Germany. He was the younger brother of Hollywood film noir director Robert Siodmak. For his plots, Curt Siodmak drew from the latest scientific findings coupled with pseudo-scientific ideas, like the Jekyll and Hyde complex.

Siodmak emigrated first to England after hearing anti-Semitic Nazi propaganda in his native Germany. He next moved to the United States in 1937, continuing to make his living as a screenwriter. His big break came in 1941 when his screenplay became the Universal Pictures horror film, The Wolf Man, starring Lon Chaney, Jr. For that movie, Siodmak created many legends–pieced together from lycanthropic and superstitious folklore, witchcraft, and Bram Stoker’s Dracula. These include the pentagram, which is a five-pointed star and the sign of the werewolf. A werewolf supposedly sees it in the palm of his next victim’s hand; that a werewolf can only be killed by a silver bullet or some large silver implement; and, the famous verse mentioned above about becoming “a wolf when the wolfbane blooms, and the autumn moon is bright.” We continue to associate such legends and images with werewolf films. It is interesting to note that in the 1941 Wolf Man movie, the full moon neither appears nor is mentioned. That’s because the full moon motif hadn’t occurred to Siodmak yet; he changed that last line for his sequels. It became, “and the moon is full and bright.” The full moon and any season, not just autumn, became the catalysts for the man-to-wolfman metamorphoses in subsequent werewolf pictures.

Universal Pictures Hollywood made four more movies in which the Wolf Man appeared due to the popularity of the 1941 film: Frankenstein Meets the Wolf Man (1943), House of Frankenstein (1944), House of Dracula (1945), and Abbott and Costello Meet Frankenstein (1948). Again, Lon Chaney, Jr. proudly played the Wolf Man in all of them. His incredible werewolf makeup was created by Hollywood makeup artist and perfectionist Jack Pierce, a Greek immigrant who was famous for transforming actors into apes and fantastical creatures. He incorporated his research into anatomy, ancient burial customs, and electrodynamics into his designs. As much as Chaney loved his monstrous character, he was quite vocal about not enjoying sitting for long hours daily while Pierce transformed him into the Wolf Man. In fact, the two men developed a hatred for one another with Pierce purposely taking extra time to remove Chaney’s makeup after a long day of shooting!

Siodmak’s autobiography Wolf Man’s Maker (2001) was published posthumously. He died in his sleep at his home in Three Rivers, California, in 2002 at the age of 98.

In 1941’s The Wolf Man, good-guy Larry Talbot, played by the 6’2″, 220-pound Lon Chaney, Jr., returns from California to his ancestral home, Talbot Castle, in the foggy woods of Llanwelly, Wales. Older brother, John Talbot, the erstwhile heir apparent, had been killed in a hunting accident. Larry and his father, Sir John (Claude Raines), use the tragic occasion to reconcile after an eighteen-year separation over family issues. On the day of his arrival, Larry meets beautiful Gwen Conliffe (Evelyn Ankers, Hollywood’s “scream queen”), an antique shop worker in the village. He buys a silver-handled wolf’s head cane from her. That same night, Larry kills a wolf with it, only later learning it wasn’t a wolf but a man, Bela (Bela Lugosi). Bela’s mother, Maleva, the old “Gypsy” fortuneteller (Maria Ouspenskaya), tells Larry that her son was a werewolf and that now, he is one, too, since Bela bit him. This sets in motion Larry’s battling of the curse of the werewolf. He attends a “Gypsy” carnival and is given a spell-breaking charm to wear by Maleva (which he gives to Gwen to protect her from himself), falls in love with Gwen, and argues with his logical-minded father and the local constable (Ralph Bellamy), who refuse to believe Larry’s lycanthropic experiences–much to his father’s eventual woe.

American actor Lon Chaney, Jr. (1906-1973) was born Creighton Tull Chaney, the son of stage and silent movie star, the “Man of a Thousand Faces,” Lon Chaney, Sr. (The Hunchback of Notre Dame, The Phantom of the Opera, et.al.). Young Chaney’s early life was troubled by his parents’ divorce, his mother’s suicide attempt, and the resulting scandal. His father remarried and continued his career while the boy worked hard to emerge from his famous father’s shadow. The senior Chaney adamantly discouraged his son from becoming an actor, so the young man became a plumber. When his father died in 1930, the junior Chaney experienced two turning points: that his mother hadn’t died when he was a boy; and, that he was now free to pursue his acting career. In 1931, he starred in his first film, The Galloping Ghost, using his own name, Creighton Chaney. In 1935, he began being billed by Universal as Lon Chaney, not “Jr.”  In 1939, after many bit parts in numerous films, Chaney starred as Lennie Small in John Steinbeck’s Of Mice and Men, his first major role and a critical success for him. In 1941, Universal gave him the title role in The Wolf Man, which would somewhat typecast him as a horror film actor for the rest of his life. Unlike Karloff and Lugosi, Lon Chaney, Jr. played not only his “baby,” the Wolf Man, but also Frankenstein’s monster, Dracula, and the Mummy. Later, he succeeded at breaking through his monster typecast, playing a variety of roles until 1971, when he retired due to illness. He always remained protective of his beloved Wolf Man character.

Chaney was befriended by some coworkers, but he was capable of intense dislikes. Despite the onscreen chemistry between him and Evelyn Ankers, they didn’t get along. It is reported that near the end of The Wolf Man, when the werewolf has Gwen (Ankers) by the neck, then throws her to the ground in the woods, that Chaney really did that. When we see Gwen “come to” in the scene, she wasn’t acting! Ankers said that she really did pass out and was lost in the set’s creeping chemical fog until found by some costars. Because Chaney could become belligerent on a set, there was frequent bloodshed.

Toward the end of his life, Chaney’s voice became raspy from throat cancer, contracted from lifelong smoking. He died in San Clemente, California, from heart failure at age 67 in 1973. In 1999, a Golden Palm Star was dedicated to him on the Palm Springs, California, Walk of Stars. He had two sons, now deceased, but his grandson, Ron Chaney, frequently appears as a guest at horror movie conventions.

Sources: “Curt Siodmak,” “The Wolf Man,” “Lon Chaney, Jr.,” and “Jack Pierce” from Wikipedia; Google–lycanthropy; “When the Autumn Moon Was Bright” (2009) universalmonsterarmy.com; IMDb.com; behindthe thrills.com

So get a clue, Readers. I hope you enjoy some classic Universal monster movies to get you in the spirit of things for Halloween. Fortunately, there is no full moon this October 31st. Happy fun and safe Halloween!

 

 

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